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CLOAKS X CANDLES

Lorn – A/D, Music For Picture

Priest – Reloader

Glass Candy – Digital Versicolor

Artist Spotlight: Kate Logan aka Artetak

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Kate Logan also known as Artetak, describes herself as a cat enthusiast living in Atlanta, GA who occasionally moonlights as an illustrator. (Literally in that order). We had the chance to chat recently about some of her process and style.

CXC: When did you first start drawing? Kate: I’ve drawn for as long as I can remember. I was fortunate to have parents who encouraged it.

What are your primary tools that you work with? Right now I primarily work digitally with an old Wacom Intuos 2 and paint tool Sai. I used to use mostly colored pencils and copics, but it was extremely expensive to do when you’re young and broke. Not proud to say that most of my markers were stolen. I would scrape together enough money to take the train and have to walk a mile to get to the art supply store. It was awful but I had no other means of buying supplies when 100% of my paychecks from work were going toward surviving. It’s funny looking at my old art and seeing how colorful and bright it was when I was living in such a dark time.

What are your biggest influences or inspirations for your work? I’m absolutely obsessed with innocent imagery with darker undertones. Artist wise, I look to people like Mark Ryden and Trevor Brown as a model source of what I want to do artistically. Older kitschy things also are a huge fountain of inspiration. Pop culture, the occult, serial killers….you know, the usual.

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Your cosplay of Cindy from FFXV was one of my favorites since it came out even before all of the video game hype. Cosplay is a big part of your life. What’s your personal favorite if you had to pick one that you’ve done? Thank you!! I was super bummed that nobody knew who I was when I wore Cindy to Dragoncon 2016 because they pushed the game release back. Ah well, I’ll probably wear her again this year. But if I had to pick a favorite, I always have the most fun when I cosplay Baby Firefly from House of 1000 Corpses. It’s not a complicated cosplay by any means, but I get to run around with my ass literally out and portray my favorite horror movie character.

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Does one creative outlet influence the other and if so, how?  (cosplay vs gaming vs drawing, etc) Yes yes yes!!! I’ve been gaming since I was a small kid, and I used to trace the art in the art books and tell everyone at school that I drew them. Gaming is kind of a foundation for just about everything I do. I cosplay the characters from games I love (I’ve cosplayed from Assassin’s Creed, Dishonored, and Space Channel 5), I draw the characters I love. Basically, without video games I don’t think I’d be quite so artistic.

What have you been listening to lately? What about film or animation? I’m really into Run The Jewels lately. But my music taste is all over the place so I’ll go from hip hop to electronic to like….Lana Del Ray. As for films, last year I fell utterly in love with The VVitch. Folk horror is one of my favorite genres of film and the movie captured it perfectly. Also I went through a 70’s satanic sexploitation film phase for a minute there, thanks to a section dedicated to that particular genre in Videodrome. They’re so weird.

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What is your biggest hurdle that you run in to when creating? I get bored really easily. I’ll be into a piece, working my ass off, and get bored with inking or coloring so I start to get sloppy. I have to train myself to stop.

Any specific designs have a significant meaning to you personally? I have a piece called Old Wive’s Tale that I’m obsessed with. It’s a dark mermaid in a swamp with the water full of fish and creatures swarming around her. I spent a lot of time working on it and it embodies one of my biggest fears. Dark water where you can’t see what is below the surface.

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Have any favorite projects or breakthrough moments? I recently got to work with Deadmau5 and his team at Mau5trap records on some rad projects. It was a dream come true experience and they were the most pleasant people to work with. But hot damn did it stress me the fuck out.

Soo.. social media and the internet. I know you’ve had your run in with a handful of people stealing your work. Let’s talk about that for a second. Ooooh yeah, unfortunately it’s one of those things that happens when you put your art out there. I mean, look at poor Yoshita Amano whose Final Fantasy art I told everyone was my own in the second grade. But I’ve had this happen to me several times over the years since I was a young teenager running a website back in the late 90’s and early 2000’s. It’s frustrating, it’s annoying, and you can’t really do much about it.

Has that influenced you creatively? I’ve created a few pieces out of anger as a response.

Where are you showcasing your art for people to check out? The easiest way for people to find me is on facebook at facebook.com/kateloganart or instagram at @artetak

What’s next? My lawyer has advised me not to answer this question.

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Dogory Nogami – Nostra (Bruxa Mix)

HEALTH – SLUM LORD

S U R V I V E – Hourglass

Pastel Ghost – Possession

Brand new single from Pastel Ghost.

Silk Wolf – Cocoon (Cloaks Exclusive)

“Cocoon” is a brand new sneak peek from Silk Wolf teasing his forthcoming ambient album / film score project. The final release will be available digitally and in a limited edition art bundle package exclusively released in conjunction with us here at CLOAKS X CANDLES.

We Love – No Train No Plane

Keluar (Self Titled)

Keluar (2014) successfully straddles a special place somewhere between Synth Wave, Cold Wave, 80s Goth, Witch House and retro EBM in way that I’ve heard very few other modern bands pull off. The Berlin based duo Zoè Zanias and Sid Lamar maintain a very focused and raw signature sound through the use of sticking to their choice synthesizers and drum programming, which seems to be a struggle with most modern electronic musicians at the moment. The resistance to incorporate every cool synth, virtual instrument plugin and effect on the market is an important one and this is an album that is exemplary of that point for me personally. They stick to their weapons of choice through the entire album and it really pays off. Check out the album from start to finish, but if nothing else pay close attention to the opening track “Cleo”, “Eremus” which would work well sliding it in to a stompy Industrial dancefloor set, (Hmm.. maybe we’ll do a special edit of it..), the downtempo approach of “Threads”, the Grimes-like instrumentation of “Coralline” and the bonus remixes at the end of the album. From start to finish, I really like the flow of energy. If you like them, be sure to also familiarize yourself with Figure Study and Linea Aspera included below in the bonus tracks.   

Bonus tracks:

In bonus because if you made it this far, you deserve for me to tell you a secret from my record crate. A year after their self titled album, Keluar released the 2015 Panguna EP (which is incredible), that featured a remix by one of my all time favorite producers: The Hacker. Check the remix he did of Keluar’s “Panguna” featured below.

Ellen Allien – Landing XX

All That We Share

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